There is the vascular restriction of life
as it stands
the heartache of waving goodbye to yourself
putting yourself on the bus
the tail lights red and sad
as you pull away.
And letting go in this moment
walking home from the bus stop
into your home, where everything is
strange again, as you feared it would be
the last time you did this.
There was one life in Baltimore,
red brick houses, driving
your daughters to ice skating
there was money gone to seed
And another in Spain,
a short bus ride from Huelva,
near the ocean and the Portuguese border,
where you lay in the sun to read
where you wandered a country lane in the dark
and were startled by the visage of a
white horse, smelling the air,
crouching silently, breathless,
that it would never leave.
And this one—what is it?
What is this picture of you?
alone, padding through the snowfall,
near the hospital, breathing fog
into the air.
2 responses so far ↓
Jared Roscoe // June 6, 2009 at 5:52 pm |
This is a great one, Feinstein, and a new direction to boot. The idea of saying goodbye to yourself and walking “home” is perfect. Is the white horse a thinly veiled reference? Sorry, that was irreverent and the poem is too good for that. It’s spot on.
David Feinstein // June 7, 2009 at 3:26 pm |
Actually, the white horse was an actual occurrence. It really did appear out of nowhere–one of those moments that seems too corny in writing, but, because of its astonishingly literary quality, is so powerful in real life. The memory of that moment reminds me that life is novel. Welcome to your novel.